Would You Wear a 380-Pound Wedding Dress?
Courtesy of Gail Be Designs
People have been oohing and ahhing at wedding dresses
for centuries. Whether it was Queen Victoria’s white dress which kicked
off the white wedding gown trend we still follow today, Kate
Middleton’s Grace Kelly-inspired gown, or even Solange Knowles
recent jumpsuit wedding-day look, designers continue to create
jaw-dropping styles for brides and their guests to marvel at, but no one
could have imagined the beaded masterpiece that one dressmaker from
Edina, Minnesota crafted.
A pure labor of love, Gail Be,
set out to make the world’s largest, and heaviest at 380lbs, wedding
gown, appropriately named Fantasy. Created over three years with the
help of 22 seamstresses and one million beads, Be used 500,000 glass
pearls and 400,000 crystals held together with seven miles of wire. She
has all but assured herself a spot in the Guinness Book of World
Records.
“Today’s bride, whether she is
spending $1,500 or $15,000 on her wedding dress, wants to have a
wedding-day look that reflects her personal style,” comments Terry Hall,
Fashion Director at Kleinfeld, the famed bridal salon in New York. “And
while Fantasy is very much a fantasy gown, there is a lot of
inspiration brides can find from it, whether it be the silhouette, the
pattern of the beads, or even the headdress.”
Courtesy of Gail Be Designs
An award-winning beader, whose work has been worn by none other than Lady Gaga,
Be set out to create this one-of-a-kind wedding dress out of her own
personal collection of beads. After losing her vision in the early
1990s, Be moved from bead weaving to bead collecting, but thanks to a
corneal transplant and Lasik surgery, her vision came back and she could
resume her passion.
So who is meant to wear this record-breaking dress? No one.
When Be set out to create the
world’s grandest beaded wedding gown she knew it wasn’t for commercial
use, and that a bride was unlikely to ever wear it. “It’s an art piece,”
notes celebrity wedding planner Marcy Blum. “She set out to draw
attention to her work, and she wouldn’t have gotten any press at all if
it were just a tapestry.”
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